“I came to realize that the appeal of representational painting since the advent of photography is due in a large part to the painting process. Although the image itself may come to resemble an ordinary photograph, a psychological intensity can be felt in the handmade work, as the artist’s laboriously slow method, intense concentration, and myriad of artistic decisions lie behind the creation of the image. In my work, I hope the viewer senses this tension between photography and the handmade – the instantaneous and the prolonged, the ubiquitous and the unique, the impartial and the personal†“Patrick Kramer says”.
